Mutual Returns
in an Out-of-Town Tescos

Diary Entry by Edward Marsden
HMP Woodhill, Thursday, 19th July 2001
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We arrive and yes the prison does look like an out of town Tescos weird. Then comes the only tangible prison moment security checks and x-ray machines, the bars and overhead wires to stop helicopter escapes (wow!) then before we know it we are in a rehearsal room, and it is as if we are in any rehearsal room anywhere. Guys come in, we are friendly to them, they are friendly back. Theres an air of whats this all about then?. Well good question Shakespeare and a bit of fun, I hope.
No need to be nervous at all. The workshop starts immediately everyone has arrived no long winded this is what we are going to do you are thrown into the work and with it comes an overwhelming desire to get the guys into it and for them to have fun. Each exercise BEAT, RHYTHM, NAMING etc is unwrapping, revealing, stripping down Shakespeare and producing gems at the same time the beat game produced a great rendition of We will rock you. Now, Shakespeare would have enjoyed that!
There are moments of noisiness, and moments of profound stillness. It was a workshop rollercoster; all at different speeds and heights but no one was standing on the sidelines because if they did the next car that came by swept them up.
The only time I was brought back into prison land was when some other people were walking by the windows of the room and David said to me rapists theyre not proper criminals. But it was gone and we were into WitSlings. Bruce was bringing all the exercises into writing a few lines. The immediate response from a few around me was we cant do that! But Bruce recited some examples of verse written by other guys in other prisons, and some from that prison. The effect was dramatic. There was still hesitancy and this is impossible and helping out at this juncture was really fun I find this exercise bloody difficult as well! I said to one guy .try writing whats in your head right now ..he said theres nothing ..ok so write that down .ooooh right, a smile appeared, gotcha. He produced some great lines and it felt really good to be a part of that. In fact it felt really good to be a part of the group, they were having fun and so was I. And the things they wrote whether abstract, about wives, the prison, drugs, death, life and much more was (for us) a priviledged insight into their lives and that meant a lot. The language was powerful.
Suddenly it was over quickest workshop Ive ever been to! Shaking hands, enjoying moments, good luck on both sides and smiles all round. Good day. Great day.
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Edward
Marsden 2001, Stage, Warwick Understudy And Various, HENRY VI PT 1,2,3 & RICHARD III, Royal Shakespeare Company, Michael Boyd 2000, Stage, Oberon/Theseus, A MIDSUMMER NIGHT'S DREAM, Oxford Creation Openair , Zoe Seaton 1999, Radio, King Edward/Catesby, RICHARD III, BBC Radio, Shaun MacLoughlin 1998, Stage, Jacob Marleys Ghost, A CHRISTMAS CAROL, Bristol Old Vic Theatre School, Neil Rhoden 1997, Corporate, Superman, TRAINING VIDEO FOR VAUX BREWERIES, Plantagenet Television, Paul Laidlaw 1997, Short Film, Mr Edwards, THE BIG DAY, Solar Productions, Mark Murphy 1997, Stage, Hugh, QUEEN MAB, Cheltenham Everyman Theatre, Sue Colverd 1996, Stage, Robert Sideway/Commander , OUR COUNTRY'S GOOD, Cheltenham Everyman Theatre, Sheila Mander |